Assignment 10 for Coursera ASPMA 2016 I created this music piece by using Audacity DAW to combine sounds (wav, mono, samplerate:44100, bitdepth:16) and their transformations (done with sms-tools). The original sounds (listed bellow) correspond to two types of non western singing traditions, two types of percussions and one aerophone. + Vignesh singing (also part of the course sounds): <a href="https://freesound.org/people/xserra/sounds/219953/" rel="nofollow">https://freesound.org/people/xserra/sounds/219953/</a> + Tuvan throat singing: <a href="https://freesound.org/people/nemaavla/sounds/240917/" rel="nofollow">https://freesound.org/people/nemaavla/sounds/240917/</a> + Mridangam (also part of the course sounds): <a href="https://freesound.org/people/xserra/sounds/205882/" rel="nofollow">https://freesound.org/people/xserra/sounds/205882/</a> + Drums: <a href="https://freesound.org/people/Percacious/sounds/330952/" rel="nofollow">https://freesound.org/people/Percacious/sounds/330952/</a> + Huilacapitztli (recorded by me): <a href="https://freesound.org/people/sedvsound/sounds/368318/" rel="nofollow">https://freesound.org/people/sedvsound/sounds/368318/</a> While working with the sms-tools, I used the Hamming window to reconstruct the percussions sounds because it favours time resolution over frequency resolution. But for the singing and the aerophone sounds, I used the Blackman window because ir favours frequency resolution over time resolution. Let me know you opinion about the final mix. ___________________________________________________________________________ Tarea 10 para Coursera ASPMA 2016 Para crear esta pieza musical combiné sonidos (wav, mono, samplerate:44100, bitdepth:16) y sus transformaciones (hechas con sms-tools) usando Audacity DAW. Los sonidos originales (listados arriba) corresponden a dos tipos de tradiciones de canto no occidentales, dos tipos de percusiones y un aerófono. Al trabajar con sms-tools, apliqué la ventana Hamming para reconstruir los sonidos de percusión porque así se favorece a la resolución en el tiempo, en lugar de la resolución en frecuencia. Pero para los sonidos de cantos y el aerófono, apliqué la venta Blackman porque así se favorece la resolución en frecuencia, en lugar de la resolución en el tiempo. Déjame conocer tu opinión sobre la mezcla final.<br/>ASPMA 2016 a10-a.wav<br/>聲道：1<br/>類型：wav<br/>ASPMA、final-assignment、sound-transformations<br/>ASPM、最終分配、聲音轉換<br/>資料來源：freesound ( https://freesound.org )