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Freesound聲音庫:ASPMA-assignment-10b.wav
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Freesound聲音庫:ASPMA-assignment-10b.wav
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Mouzzaka
freesound聲音庫維涅什-ishwar吉他aspma-15-結果

Submission for assignment A10b of the excellent Audio Signal Processing For Music Applications course. Sounds Used I made use of the following sounds from Freesound. It was necessary to convert them from stereo to mono for processing with the sms-tools software. gentle guitar » gentleguitar.wav http://freesound.org/people/luckylittleraven/sounds/202163/ http://creativecommons.org/licenses/by/3.0/ 99bpm tama break.wav http://freesound.org/people/Snapper4298/sounds/177006/ http://creativecommons.org/licenses/by/3.0/ Plus the following sounds from the 'sms-tools' collection: A small fragment from the following sample. This was the 'speech-male.wav' sample from the 2014 run of the ASPMA course. speech » YourFirstLove.wav http://www.freesound.org/people/acclivity/sounds/84398/ http://creativecommons.org/licenses/by-nc/3.0/ asp-course » vignesh.wav http://freesound.org/people/xserra/sounds/219953/ http://creativecommons.org/licenses/by/3.0/ asp-course » flute-A4.wav http://freesound.org/people/xserra/sounds/205513/ Original sound: http://www.freesound.org/people/Carlos_Vaquero/sounds/154204/ http://creativecommons.org/licenses/by-nc/3.0/ asp-course » piano-phrase.wav http://freesound.org/people/xserra/sounds/196765/ http://creativecommons.org/licenses/by/3.0/ I consciously made use of the last four sounds, above, given how often we spent the weeks of the course listening to and analysing them. Transformations I used the following transformations on these samples throughout the song: - STFT morph between piano-phrase.wav and vignesh.wav for the intro part, layering that with the original piano.wav for some extra piano quality. - Harmonic-Plus-Stochastic model (HPS) frequency scaling transformation of vignesh.wav to make vignesh sing along with the gentle guitar loop. - HPS frequency scaling transformation of flute-A4.wav to make a flute accompaniment to the gentle guitar loop. - HPS frequency scaling and stretching transformation of speech fragment Assembly The results of these transformations were then cut up into sections, duplicated and liberally sprinkled into a single mix using Audacity Some effects were accomplished using the layering of different sounds. For example, I layered the "singing" vignesh.wav sound I created on top of the original sound to achieve a singing chorus. Similarly with the speech fragment in the latter half of the song.
ASPMA賦值,10b.wav
聲道:2
類型:wav
acoustic、vignesh-ishwar、guitar、aspma-15-results
聲、維涅什-ishwar、吉他、aspma-15-結果
資料來源:freesound ( https://freesound.org )
資訊

CC0 1.0 公眾領域貢獻宣告
素材
主動式
領域:藝術領域
學習階段:國小3-4年級(二)
國小5-6年級(三)
國中7-9年級(四)
學習內容:音E-Ⅱ-4 音樂元素,如:節奏、力度、速度等。
音E-Ⅲ-3 音樂元素,如:曲調、調式等。
音E-Ⅳ-4 音樂元素,如:音色、調式、和聲等。
閱讀素養教育
B3 藝術涵養與美感素養
2019-06-12
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