Sampling deterritorializes the drums. It takes the static organization of percussion that became typical in mid-late 20th century pop music (snare, hi-hat, ride, tom, etc) and opens it up onto the acoustic surrounds. With the advent of electronics, recording and sampling technologies, a drum-kit can be anything: a construction site, a garbage dump, a trash can. Using field recordings as percussion turns the drums into a viscous and malleable fluid. It is this potential for transformation of instrumentation and timbre, that is to say, a new organization of the musical ensemble, that i find promising. Trash Can Roll was recorded with a Tascam DR100 at UCSC. One sound taken from the 'Microblocks, vol.1' percussive found sound sample-pack. The sample-pack features 135 unique field recordings culled from the ordinary soundscapes of Santa Cruz, CA. Find and download (for free) the rest of the sample pack here: https://fieldrecordingworkinggroup.bandcamp.com/releases The sample pack comes with an accompanying essay describing the method, politics and historical context of the sample-pack.
垃圾桶Roll.aif
聲道：2
類型：aiff
sample-packs、field-recording、drum-kits
樣品包、現場記錄、鼓包
資料來源：freesound ( https://freesound.org )