A beatbox one-hit hi-hat-closed sample made by ipaghost in 2011.<br/>htcl7.wav<br/>聲道：2<br/>類型：wav<br/>man、voice、human、mouth、hi-hat-closed、beat、vocal、ipaghost、beatbox、percussion、male、sound<br/>人、語音、人的、口、踩镲閉、擊敗、聲音的、ipaghost、口技、打擊樂器、男、聲音<br/>資料來源：freesound ( https://freesound.org )

Writing on a whiteboard. Cut up, EQ'd and compressed this sound: <a href="http://freesound.org/people/edctrainer/sounds/251677/" rel="nofollow">http://freesound.org/people/edctrainer/sounds/251677/</a><br/>標記白板phrase04<br/>聲道：2<br/>類型：wav<br/>drawing、scribble、dry-erase、marker、pen、writing、whiteboard、draw、pencil、foley<br/>畫畫、塗、幹擦、標記、鋼筆、寫作、白板、畫、鉛筆、弗利<br/>資料來源：freesound ( https://freesound.org )

I chained my two Arturia MicroBrutes together by running the Gate Out of Brute A to the Gate In of Brute B, the Pitch out of Brute A to the Pitch In on the Mod Matrix of Brute B & the Audio Out from Brute B to the Audio In of Brute A. So now I have a 2 Oscillator Synth, whereas before I had only a singly Oscillator :] The only drawback is that the B Synth is responding pitched up quite a ways & I miss out on the Duophonic this set up would have were I to control the B Synth via MIDI in. Gotta figure out a way to do that! For now, here’s a series of recordings I made with the 1st patch I tuned in this experiment. There are two Octaves of Single Notes, seven different Sequences ( at different Tempos ), Some Filter Sweeps & Pitch Bends. I hope you find this useful :]<br/>DuoBrute 4注意Segue.aif<br/>聲道：2<br/>類型：aiff<br/>Factor、Arturia、Analogue、Dual、VCF、Synth、MicroBrute、DIY、Micro、Filter、VCO、Brute、Oscillator、Duo、Envelope、Synthesizer、Chain、Chaining、VCA<br/>因子、Arturia、類似物、雙、VCF、合成器、MicroBrute、DIY、微、過濾、VCO、畜生、振盪器、雙核、信封、合成、鏈、鏈接、VCA<br/>資料來源：freesound ( https://freesound.org )

Writing on a whiteboard. Cut up, EQ'd and compressed this sound: <a href="http://freesound.org/people/edctrainer/sounds/251677/" rel="nofollow">http://freesound.org/people/edctrainer/sounds/251677/</a><br/>標記白板phrase08<br/>聲道：2<br/>類型：wav<br/>drawing、scribble、marker、expo、erase、sound、write、writing、whiteboard、draw、foley、dry<br/>畫畫、塗、標記、博覽會、抹去、聲音、寫、寫作、白板、畫、弗利、幹<br/>資料來源：freesound ( https://freesound.org )

Vocal sample of Ipaghost singing "Meow". Part of a chromatic scale to use as an instrument.<br/>Ipa_MeowVoice_38_C＃6.wav<br/>聲道：1<br/>類型：wav<br/>Sung、Voice、Speech、Short、Sample、Chromatic、Vocal、Meow、Male、C<br/>無花果、語音、言語、短、樣品、色、聲音的、喵、男、C<br/>資料來源：freesound ( https://freesound.org )

Vocal sample of Ipaghost singing "Meow". Part of a chromatic scale to use as an instrument.<br/>Ipa_MeowVoice_10_A3.wav<br/>聲道：1<br/>類型：wav<br/>Sung、Voice、Speech、Short、Sample、Chromatic、Vocal、Meow、Male、A<br/>無花果、語音、言語、短、樣品、色、聲音的、喵、男、一個<br/>資料來源：freesound ( https://freesound.org )

Created in Reason 7<br/>ASM goof LOOP 2.wav<br/>聲道：2<br/>類型：wav<br/>Loop、Rhythm、Propellerheads、Reason、beat<br/>循環、韻律、普羅佩勒黑茲、原因、擊敗<br/>資料來源：freesound ( https://freesound.org )

This is a collection of sounds gathered from the Newport Wetlands Nature Reserve in Newport, UK.I had the chance to borrow a hydrophone microphone from a very generous and helpful friend of mine. They're made by a Jez Riley French (<a href="http://jezrileyfrench.co.uk/jrf-audio-supplies.php)." rel="nofollow">http://jezrileyfrench.co.uk/jrf-audio-supplies.php).</a>There is quite a bit of high frequency hissing where I had to boost the gain to get a decent signal, but on a few (I thought I had broken the microphone) you can also hear the power line hum. It was a surprise to hear!<br/>Hydrophone_Newport Wetlands_Pontoon Movement 01.wav<br/>聲道：2<br/>類型：wav<br/>submerged、squeaks、lake、underwater、hydrophone<br/>湮、尖叫聲、湖、水下、水聽器<br/>資料來源：freesound ( https://freesound.org )

Hitting the edge of a frying pan with a spoon.<br/>PanHit_03.wav<br/>聲道：2<br/>類型：wav<br/>metallic、clang、metal、frying-pan、impact<br/>金屬的、LIB、金屬、平底鍋、碰撞<br/>資料來源：freesound ( https://freesound.org )

Metal chisel sticken with other chisel.<br/>鑿擊13<br/>聲道：2<br/>類型：wav<br/>metal、industrial、chisel、hit<br/>金屬、產業、鑿、擊中<br/>資料來源：freesound ( https://freesound.org )